Non-Places: Introduction to an Anthropology of Supermodernity, originally published by French publisher Seuil, is a basic work of the urban anthropology which has been translated in a number of languages. The author deals with topical phenomena in the contemporary global society, in particular with places he refers to as non-places, i.e. airports, shppping malls, hotels, motorways etc. These ambivalent places are the venues of contant movement, consumption, and communication; they don't share any similar symbolic connections, there's no play of identities. They exist as transitional, anonymous, functional places only perceived in a partial and incoherent manner. In the author's view, the opposite to a non-place is the anthropological place that bears identity, relations and history; it takes the form of a concrete place which represents to a person an important hub in a network of relations, invested with symbolism and meaning, memories, experience (for example an altar, birthplace, public square etc.).
It is the first book publication of this author in Slovene.
Translated from French by Sonja Dular.
Foreword by Dr Matjaž Uršič.
No. of pages: 164
Price: € 15
The Near and the Elsewhere 13
Anthropological Places 47
From Places to Non-Places 77
A Few References 123
About the Author 125
Matjaž Uršič: So Close and Yet So Distant –
Living Between Places and Non-Places of Marc Augé 131
Translated by: Sonja Dular
Mediakcije series, book no. 9
Series editor: Janez Janša
Maska, Institute for Publishing, Production and Education
Non-lieux. Introduction à une anthropologie de la surmodernité
© Seuil, 1992.
© For Slovene edition: Maska
Editor: Maja Murnik
Foreword: Matjaž Uršič
Language editing: Zala Hriberšek
Index: Maja Murnik
Cover design: Martin Bricelj
Layout and pre-press: Vtis
Printed by: Cicero
Print run: 400
Published with the support of the French Ministry of Foreign Affairs represented by French Institute Charles Nodier.
Published with the support of the French National Book Centre.Publication of the book was financially supported by the Slovenian Book Agency.