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Maska, časopis za scenske umetnosti

On Performance Education

The main topic of this issue is education in performing arts. Numerous national and foreign authors write about the state and perspectives in education from the view of a changed and more and more interdisciplinary field of contemporary performing arts.

Miško Šuvaković writes about the strategies and tactics in the avant-garde, neo-avant-garde and post-avant-garde pedagogics in performing arts, Josette Feral is wondering, through a revision of thoughts of the great directors of the 20th century, whether acting can be taught. Anne Bogart answers with six characteristics of an actor that can be stimulated. Susanne Winnacker and Hans-Thies Lehmann ponder on the problem of the ossified academic university programs that still segregate academic discourse from artistic practice. Johannes Birringer talks about the necessity of introducing new technologies into the education of modern performance actors, while Theo van Rompay talks about the importance of theory for the education of a contemporary dancer. Maja Delak reflects on the beginnings of the high-school contemporary dance program, while Meta Hočevar analyses the present state and perspectives inside the AGRFT. Bojana Cvejić writes about The Art Judgment Show project by Boris Groys, in which the professor talks to his students about the criteria of an art evaluator. Taras Kermauner describes the history of dramaturgy teaching in Slovenia by focusing on the main protagonists and his own eliminated position. Maska is developing a concept of post-dramatic theatre with the texts by Steven De Belder on theatre and everyday life, by Luk van den Dries on the new ambientality and the changed position of the spectator, and by Nataša Govedić on the concept of fascination in the works of Maria Ribot and Jérôme Bel. In the section The Society of Spectacle, Maska examines the “Mengeš syndrome”, that is, the phenomenon of commercial theatre in Slovenia, and evaluates the theatrical and dance program of Cankarjev dom in the year 2001. As far as performances are concerned, there is some talk of the issue of pedophilia in the plays directed by Mateja Koležnik, of two stagings of Sarah Kane, of the new performances by Iztok Kovač, Emil Hrvatin and Rok Vevar, as well as two German performances that politically derive from different points of origin, Peter Greenaway and Saskia Boddeke in Frankfurt (musical scores by Borut Kržišnik), and the controversial Christoph Schlingensief in Zürich. This issue of Maska has 152 pages and is published partly in English.

Kazalo

Einaar Schleef: DESET TOČK, NAMENJENIH IGRALCEM

Jedrt Jež: KO SMO GOLI, SMO RANLJIVI. Pogovor z Vero Mantero.

Jedrt Jež: UMETNIŠKO/POLITIČNO. Pogovor s Hansom-Thiesom Lehmannom.
UČITI ZA SCENO

Miško Šuvaković: IZPELJEVANJE PEDAGOŠKIH FIGUR/TELES

Josette Féral: ALI SE JE IGRE MOGOČE NAUČITI?

Anne Bogart: ŠEST STVARI, KI JIH VEM O DELU Z IGRALCI

Hans-Thies Lehmann: ZAUPATI NAKLJUČJU

Johannes Birringer: NOVA OKOLJA: INTERAKTIVNI PLES

Jedrt Jež: ŠOLA S PAMETNIMI IGRALCI. Pogovor s Theom van Rompayem.

Emil Hrvatin: IZOBRAŽEVATI, NE LE VZGAJATI UMETNOSTI. Pogovor z Majo Delak.

Susanne Winnacker: KARIZMATIČNE DVOJICE

Marijke Hogenboom: PEDAGOGIKA TVEGANJA

Bojana Cvejić: SAMOPOTROŠNJA USTVARJALNEGA SUBJEKTA

Emil Hrvatin: ŠTUDIJ UMETNOSTI JE RAZKOŠJE

Taras Kermauner: DRAMATURGIJA KOT SPOMIN IN VIZIJA

Milan Mađarev: ŠOLA GLEDALIŠKE ANTROPOLOGIJE
POSTDRAMSKO GLEDALIŠČE

Luk Van den Dries: KOT ČAJNA VREČKA V VRELI VODI - PROCESI STAPLJANJA V SODOBNEM GLEDALIŠČU

Nataša Govedić: FASCINACIJSKE IGRE Z ERUDITSKIMI TELESI JÉRÔMA BELA IN MARIE RIBOT

Steven de Beelder: VSAKDANJIK KOT MEJNO OBMOČJE V MLADINSKEM GLEDALIŠČU VICTORIA
DRUŽBA SPEKTAKLA

Jela Krečič & Špela Stramšek: SINDROM MENGEŠ - POLOŽAJ KOMERCIALNIH GLEDALIŠČ V SLOVENIJI

Jedrt Jež: LETO ZMERNEGA PADCA
PREDSTAVE

Petra Pogorevc: DOMA V KOPALNICI IN ZA VOLANOM NA CESTI. Pedofilija v uprizoritvah Mateje Koležnik (Praznovanje in Kako sem se naučila voziti).

Martina Šiler: OB 4.48, KO RASTEJO NARCISE. Ob dveh uprizoritvah Sarah Kane (4.48 Eduarda Milerja in Razmadežna Jerneja Lorencija).

Jedrt Jež: VEZ, DETAJL IN DISTANCA (Hu Die Iztoka Kovača)

Ana Perne: JAVNA ZASEBNOST ALI ZASEBNA JAVNOST (Q & A Very Private, Very Public Emila Hrvatina)

Katja Praznik: KAKO PRESKOČITI OGRAJO IZ ROK (Polna pest praznih rok Roka Vevarja in Simone Semenič)

Gerald Siegmund: ZLATO/92 ZLATIH PALIC V RAZBITEM AVTU (po premieri istoimenske predstave v režiji Saskie Boddeke v Schauspiel Frankfurt)

Thomas Irmer: DESNO VEN! ALI NIKOLI VEČ NOTER? (o fenomenu Christoph Schlingensief)
ARTISTS' PAGES

Ann Adamovič: DIALOGUE

Igor Štromajer: ORGAZEM, INTIMNA ARTISTIČNA KOMUNIKACIJA, KONCEPTUALNA DRAMATURGIJA IN KONEC METAFORE ali "FREE YOUR MIND AND THE REST WILL FOLLOW"

Martin Bricelj: EURO FOR THE MASSES

Colophon

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Slovene-English edition.