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Maska, časopis za scenske umetnosti

Performance Territories

About a year ago, when we, the Maska magazine, were devising the first year of the Contemporary Performing Arts Seminar in collaboration with Cankarjev dom, we originated from a deep conviction that its first edition must primarily concentrate on the opening up of various territories and uncover within them numerous places and modes of the verbalization of contemporary performing arts. Thus, the first year of the Seminar has taken place as an uncovering and recognition of authorial and theoretical articulations with the help of which the accessories for teaching the critical and theoretical writing can be formed. In the current thematic scope, which will be followed by sequel in the next, autumn issue, we thus present a unique “detection” of several selected performance territories dealt with in the lectures or reading materials at the Contemporary Performing Arts Seminar. These contributions show that one’s own territory can be detected precisely through transforming and reflecting on the articulation of its contents by means of new readings of politics (Lehmann, Čufer), the body (Siegmund), beauty and history (Živadinov, Čufer), technology (Zabel), ambientality (Bleeker), and subjectivity (Kunst). As the second, autumn part of this thematic range, we announce dealing with the detection of the theatre medium itself, which, by re-employing several theoretical notions, uncovers the fluid borders of performance territory (Milohnić, Pristaš, Strehovec, Valentini, Orel, etc.). Contemporary performance territories thus do not reveal themselves as models, but primarily, as oppositional and articulate uses of various contents, enabling the disclosure of the intertwining, nomadic territory in between. (Bojana Kunst)

Kazalo

MANIFEST ZA EVROPSKO POLITIKO PERFORMANSA
TERITORIJI PREDSTAVE

Bojana Kunst: UVOD

Hans-Thies Lehmann: POLITIČNO V POSTDRAMSKEM

Bojana Kunst: STRATEGIJE SUBJEKTIVNOSTI V SODOBNEM PERFORMANSU

Eda Čufer: ATLETIKA OČESA. Krst pod Triglavom – vprašanje zapisovanja in branja sodobnih scenskih praks.

Dragan Živadinov: PET IZUMOV MODERNISTIČNE BIOGRAFIJE

Igor Zabel: GLEDALIŠČE UPORA MARKA PELJHANA

Gerald Siegmund: PLES POD DROBNOGLEDOM: VNOVIČNO ODKRITJE UTELEŠENEGA GLEDALCA

Xavier Le Roy: TEORIJA – BIOGRAFIJA – PREDAVANJE – PREDSTAVA

Maaike Bleeker: DA, TODA ZA KOGA? ALI KAKO STA SE POROČILA GIL IN MOTI
NOVA EVROPSKA DRAMATIKA

Petra Pogorevc: PRIHODNOST JE VČASIH ČUDNA. Intervju z Grahamom Whybrowom, literarnim upraviteljem gledališča Royal Court.

Tomaž Toporišič: FUNKCIJA TEKSTA V SLOVENSKIH GLEDALIŠKIH ESTETIKAH OSEMDESETIH LET (1. del)
PREDSTAVE

Rok Vevar: "JAZ JE NEKDO DRUG!"

Primož Jesenko: KAJ STORITI Z BESEDO
ARTISTS' PAGES

Alen Ožbolt: PRED DENARJEM
PISMA BRALCEV

Jana Kramberger: KOMENTAR FINANČNIH PODATKOV V ČLANKU JEDRT JEŽ Leto zmernega padca.

Colophon

Double issue price: 8 EUR 

Delivery costs are not included. 

Slovene-English edition.