Janez Janša: Life II [in Progress]

The main focus of the show is the extensive photographic project spanning over a five-year period, which follows a group of women (artists) through their pregnancies into motherhood. It is a series of staged monumental photographs, produced following the instructions of the infamous performance Imponderabilia by Marina Abramović and Ulay in 1977, in which visitors to the gallery had to squeeze between the two artists’ naked bodies. In Janša’s treatment, Imponderabilia is handled as a quotation...


is a nonprofit organization for publishing, production (performances, interdisciplinary and visual artworks), education and research. It is organized into three sections: Maska Publications,Maska Productions and Maska Symposium. Maska’s theoretical, critical and artistic activities deal with contemporary art and theory, research, experimental performing practices, interdisciplinary art and critical theory. Its contents and events often provide a direct and sharp reflection of the cultural and political space in which it acts.
Collaboration with various governmental and non-governmental organisations, artists, professionals from different areas and partners from abroad is an important segment of all of Maska’s activities.

Založba → TRANSformacije

Claire Bishop: Artificial Hells. Participatory Art and the Politics of Spectatorship

Artificial Hells is the first historical and theoretical overview of socially engaged participatory arts. The book follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic both in Europe and the USA.

Produkcije → Scenska


When you can say what’s bothering you without fearing the subsequent loss of something. And disclose your secrets without feeling guilty about it. A place where you can be tied down, but free nevertheless. Where it’s you who counts and not the mistakes. That warm feeling that you’re amongst your people. Škrip Inc. Belief in magic is the dominating force in our lives. We strive for perfect pleasure, constantly and for ever.

Maska, časopis za scenske umetnosti

Movements in Contemporary Dance I

The last double issue of Maska in 2013 is devoted almost entirely to dance. The current editorial board of Maska first raised the issue of the concerns of contemporary dance already in March 2012; almost exactly a year ago, this was followed by the first drafts for the present issue and finally by the decision that the contemporary dance issue should be addressed thoroughly and systematically. We set an ambitious task of drawing the views of contemporary dance from different perspectives:...